EroVoice Review

Each item here is titled with an RJ number. That is the catalogue code the Japanese doujin storefront assigns to a product it sells, so every entry on this page corresponds to a specific paid release, identified by the seller's own reference. The links beneath them go to general-purpose file-hosting services — the four or five consumer lockers everyone uses — and nothing on the page points to any arrangement with the circles and voice actors credited in the titles.

As an index it is well made for the medium. The tags describe what the microphone is doing rather than what is being shown: binaural, ear licking, ear cleaning, whispering. Circle names are browsable in their own right, which is how this material is actually followed, and there is a tag for non-explicit work, so the collection is not assumed to be uniform.

Titles are left in Japanese and untranslated. If you cannot read them, the tags and the circle names are the only way in, which makes the taxonomy load-bearing rather than decorative.

A web-archive link, a FAQ and a contact page complete it. Nothing is charged for here; the money is downstream, at the lockers.