Three claims are doing the work in that headline, and they are not equally checkable. It is worth separating them before anything else, because the difference between them is most of what there is to say about tubes in this bracket.
A note on method first. The attempt to re-inspect the site for this article was refused — the origin returned a 403 to the request and nothing further was tried, because working around a site's own access controls is not something worth doing for a review. What follows rests on this site's earlier inspection of the same index, and on what is and is not inferable from it. Where that leaves a gap, the gap is stated rather than filled.
The catalogue number
Six million is a category of claim, not a measurement.
On a tube that indexes rather than hosts, the count reflects rows in a database. Those rows can include the same scene arriving from several sources, clips that are fragments of a longer scene, entries whose underlying video has since gone, and compilations that overlap everything else. Nothing audits the total, no definition of what counts as one item is published, and the number is a marketing surface — it appears where it helps and is never broken down.
This is not specific to one site. Treat any eight-figure catalogue claim in this industry as an order-of-magnitude statement at best: it tells you the site is large rather than small, and that is genuinely all it tells you. If your practical question is "will I run out of things to watch", the answer for anything in this bracket is no, and the precise figure changes nothing about it.
What the index itself shows
The structural observations are the durable ones, because they describe how the site expects to be used rather than how much it holds.
Duration is a first-class browse axis. Short, Medium, Longest and Full length sit in the sort menu alongside Recently Posted and Random. That is an unusual thing to promote to the top level, and it implies an assumption about the visitor: that you arrive with a time budget more often than with a subject in mind. Blunt, and more honest about how people actually browse than most category trees.
The tag rail is not made of tags. It is made of whole search strings — several terms deep, reading like queries somebody typed rather than labels somebody assigned, with performer names sitting in the same rail on the same footing. That tells you the navigation is grown from traffic rather than curated, which in turn tells you what the front page will surface: whatever is being searched for, amplified.
The shelves include TikTok-style clips and AI-generated material alongside conventional categories, and a live cams tab sits in the main bar. A recently-viewed strip runs on the front page.
Nothing on the index states where the videos come from or who uploads them. That absence is itself the most informative thing on the page. A platform with production relationships says so, prominently, because it is the most valuable thing it has. Silence in that slot is not proof of anything in particular, but it is a reliable signal about which half of the tube landscape you are standing in.
Zero login
This one is straightforwardly true of the whole bracket and needs no verification: aggregating tubes have no reason to build an account system. There is no library to attach favourites to, no community to host comments for, and no subscription to gate.
The consequence people actually care about is the trade-off. No account means nothing follows you between sessions — no watch history, no favourites, no taste profile being assembled from your clicks. Whether that reads as privacy or as a missing feature depends entirely on which you were hoping for. A recently-viewed strip driven by a browser cookie is the entire personalisation layer, and it evaporates when you clear the browser.
The download button
This is the claim that cannot be checked from outside without using the site, and it is also the one most likely to have changed since anyone last wrote about it.
What can be said structurally: sites that host their own material tend to remove or paywall downloads, because the material is an asset they are protecting or selling. Sites without those relationships have nothing to protect and no premium tier to reserve it for, so the feature tends to persist by default rather than by policy. That makes a working download plausible here. It does not make it verified, and it is not a feature to rely on continuing.
Reading this one honestly
PussySpace is an index with a browse interface on it. If the sort menu suits how you look — by time available, by recency, at random — that interface is a reasonable front door onto a very large pile, and the absence of an account is a real convenience.
What you should not expect is anything exclusive. On this side of the tube landscape the material is the same material available elsewhere; the product is the browsing. The aggregator listings show the rest of that field, the free tube index covers the sites that sit on the other side of the line, and the directory entry carries the shorter version of these notes.
If you want the three headline claims settled rather than reasoned about, the site is a click away and costs nothing to check. That is a better use of five minutes than any review, including this one.